Wang Dazhuo

In the exhibition The Tango on Ripples, there is another approach to explore in the journey. It concentrates on a particular object – the face – which is employed by our four artists in different manners. From the intended blank face in Wang Jinbo’s works to the obscure state caused by overlying and mixture of the facial features adopted by Liu Zigsen, after that the viewers will find the faces of buddhas under Wang Dazhuo’s bush, which are the outcome of public imagination, then this approach ends in Chen Fenwan’s imaginative portraying of definite facial features. This approach takes face as its cord and interacts with the main approach to form the polyphony as the context of The Tango on Ripples, just like the background music of dance.

The Tango on Ripples

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Wang Dazhuo

A, 2020

Oil on canvas 布面油画

51 x 42 cm